Fred Savage makes his feature-film directorial debut in this sequel to DADDY DAY CARE. Charlie Hinton (Cuba Gooding,Jr.) and Phil Ryerson (Paul Rae) decide to parlay the success of their “Daddy Day Care” into day camps in order to save Camp Driftwood. Once the crcme de la crcme of camps, Driftwood has seen better days, while rival Camp Canola has become a hot property featuring paint ball, dirt bikes, and jet skis. Charlie and Phil buy the camp in order to save it, only to find themselves completely out of their element, which becomes painfully obvious on the first day of camp. With foreclosure impending, Charlie swallows his pride and calls in the ultimate reinforcement: his father, Colonel Buck Hinton (Richard Gant). Of course, Buck and his son have completely different child-rearing styles, leading to some tension as the elder Hinton tries to whip Driftwood’s motley campers into shape for the annual Olympiad with Camp Canola.
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In 1972, Laurence Olivier and Michael Caine starred in the screen adaptation of SLEUTH, based on Anthony Shaffer’s Tony Award-winning play and directed by Joseph L. Mankiewicz. Olivier played Andrew Wyke, a droll old writer whose wife is having an affair with the young, ambitious Milo Tindle, played by Caine. Thirty-five years later, Caine is starring as Wyke in an updated version of SLEUTH, completely rewritten by Nobel Prizewinner Harold Pinter and directed by multiple Oscar nominee Kenneth Branagh. Jude Law, who played the Michael Caine role in the 2004 remake of ALFIE, now takes over as Tindle, a hairdresser-actor who has shown up at Wyke’s estate to demand that Wyke divorce his wife so Tindle can marry her. But the extremely successful and wealthy Wyke is not about to give up his wife without a very determined and well-calculated battle of wits.
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Corprate billionaire Edward Cole and working class mechanic Carter Chambers have nothing in common except for their terminal illnesses. While sharing a hospital room together, they decide to leave it and do all the things they have ever wanted to do before they die (aka Kick the Bucket) according to their bucket list. In the process both of them heal each other, become unlikely friends, and ultimately find the joy in life that they had been missing out on and even perhaps forgotten about till now.
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Legendary teenage sleuth Nancy Drew enters the 21st century in this feature film from director Andrew Fleming (NIXON, THE CRAFT). In Nancy’s (Emma Roberts) latest mystery, she and her father (Tate Donovan) make a temporary move from rural River Heights to Los Angeles. Determined to make the most of her stay, Nancy has chosen them a rental home with a notorious past: the mysterious death of its owner, starlet Dehlia Draycott, in the early 1980s. The closer Nancy edges towards the truth, the more trouble she encounters from someone who clearly doesn’t want the mystery solved. To make matters worse, old-fashioned Nancy doesn’t quite fit in with the cool kids–or anyone else–at Hollywood High, except for younger would-be Romeo Corky (Josh Flitter).
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Robert Neville is a brilliant scientist, but even he could not contain the terrible virus that was unstoppable, incurable, and man-made. Somehow immune, Neville is now the last human survivor in what is left of New York City and maybe the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone. Mutant victims of the plague — The Infected — lurk in the shadows… watching Neville’s every move… waiting for him to make a fatal mistake. Perhaps mankind’s last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But he knows he is outnumbered… and quickly running out of time.
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In Arizona in the late 1800’s, infamous outlaw Ben Wade (Russell Crowe) and his vicious gang of thieves and murderers have plagued the Southern Railroad. When Wade is captured, Civil War veteran Dan Evans (Christian Bale), struggling to survive on his drought-plagued ranch, volunteers to deliver him alive to the “3:10 to Yuma”, a train that will take the killer to trial. On the trail, Evans and Wade, each from very different worlds, begin to earn each other’s respect. But with Wade’s outfit on their trail - and dangers at every turn - the mission soon becomes a violent, impossible journey toward each man’s destiny.
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When John Hume’s (Bacon) son is killed by a group of gang-bangers his life is torn apart. His one salve is that the killer was caught at the crime scene, but when the justice department offers up 6 months in prison as retribution, he knows there must be something better, something that will allow his family to move on. Surprising himself, he retracts his testimony as the lone witness, essentially killing the case, and begins to look for another means for justice. It comes to him in the form of violence, which simultaneously gives him the relief he’s looking for and puts his family on a path towards death, as the rest of the gang comes looking for their revenge.
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